*Originally written for A Younger Theatre*
The subtitle of Nicholas Ridout’s Passionate Amateurs: Theatre, Communism and Love, and its central argument – “that theater in modern capitalism can help us think afresh about notions of work, time and freedom” – may betray an idea of the work as one of niche interest, useful only to the academic and the geek. But though Ridout’s study is intent on adding to the academic discourse surrounding labour and performance, it also holds wider resonance within present debates about pay and work in the theatrical landscape. By deconstructing notions of leisure, freedom, necessity and community, Passionate Amateurs interrogates liberal and centre-left theatrical ideologies, and in doing so reinvigorates a discussion which has become dormant within the structures of late capitalism.
This is a book about neither community theatre nor communist theatre, though as Ridout observes there are books with the same title to be written about both subjects. Continue reading Book Review: ‘Passionate Amateurs’ by Nicholas Ridout